source&pool
A daily wire of long-form journalism, video, and discourse — filed, tagged, and laid out flat.
VOL. I·NO. 01
THURSDAY, SEPTEMBER 24, 2026
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  1. 001Hacker NewsSEP · 22English

    It's the Fun

    The author argues that fertility decline since 2010 is driven by smartphones as entertainment centers, continuing a 200-year trend where increasingly fun technologies (urbanization, movies, radio, television) have made family life less attractive by comparison. Rather than family life becoming less enjoyable, alternative entertainment options have raised the opportunity cost of having children.

    By Scott Sumner
  2. 002bgrSEP · 21English

    Firefly's Adam Baldwin Starred In A Forgotten Sci-Fi Show About NASA Space Shuttle Astronauts

    'The Cape' was a 1990s syndicated sci-fi drama starring Adam Baldwin that followed USAF astronauts training at Kennedy Space Center. The show aimed for authentic portrayals of astronaut work, filmed on location at Cape Canaveral with technical guidance from former astronauts Buzz Aldrin and Bruce Melnick.

    By Liz Young
  3. 003Hacker NewsSEP · 19English

    UFO Series Home Page: "UFO" TV Series from 1970

    A fan-maintained homepage for the 1970 British science fiction television series UFO, created by Gerry and Sylvia Anderson and starring Ed Bishop as Commander Straker, offering episode guides, photos, sounds, scripts, merchandise information, and fan community resources.

    By DropDead
  4. 004Hacker NewsSEP · 19English

    Stop adapting Jane Austen 5 other 18th‑century writers perfect for the screen

    Television's Jane Austen adaptations dominate, but five other 18th-century writers deserve screen attention. Works like Eliza Haywood's Fantomina, Samuel Richardson's Pamela, and Charlotte Lennox's The Female Quixote contain contemporary themes of reinvention, consent, and fandom that resonate with modern audiences.

    By Amy Louise Blaney
  5. 005DeadlineSEP · 18English

    The Paramount Warner Bros Deal Isn't Considering The Independents

    AGC CEO Stuart Ford argues that the Paramount-Warner Bros. Discovery antitrust complaint fails to address threats to independent film and international television production, sectors that face eroding Pay-1 license fees and reduced negotiating leverage with streamers as the number of major buyers shrinks from five to four.

    By Stuart Ford