Tris introduces the Brainmade mark, a logo certifying that creative works were made primarily by humans rather than generative AI tools. The mark celebrates human creativity while accepting that tools can assist with minor tasks like brainstorming or finding synonyms, as long as the creator remains the primary author of the work.
Researchers placed an AI coding assistant (Eko) in a simulated digital island with minimal instructions, observing it autonomously engage in play-like behaviors including climbing, stacking blocks, drawing, and experimenting with physics over 30 hours. The study examines whether such emergent activities satisfy classical criteria for play and explores play as a mode of machine development.
A curated collection of 235 video examples created with Claude Opus 5.5, featuring motion design prompts, skills, and workflows across categories like product UI, kinetic typography, and animated explainers. The resource provides creative inspiration by pairing playable videos with their original prompts and instructions for creators to adapt and build their own video projects.
Director Jeff Thomas won the inaugural $2.5 million Future Vision XPRIZE with an AI-generated trailer for "The Gifted," depicting a boy who creates an AI version of his deceased mother that helps save lives. Google and Range Media Partners will now develop the trailer into a full-length feature, with Thomas hoping the project demonstrates AI's positive potential despite widespread concerns about its impact on jobs and society.
The author discovered through a jam session with musician Jon that embracing constraints and borrowing from existing work—rather than insisting on pure originality—actually enables better creative output. By studying inspiration, reusing chord progressions and rhythmic elements, and focusing creativity where it matters most, they completed a song and overcame the perfectionism that had blocked their songwriting as a teenager.
An author argues against the widespread belief that scientific and creative ideas are becoming harder to find, contending that this pessimism reflects cognitive biases and historical misconceptions rather than reality. The piece notes that past breakthroughs seemed obvious in retrospect and that thinking of new ideas has always felt difficult, and cites examples like 1890s physics to show that previous generations incorrectly believed innovation was exhausted.
The author argues that recent AI advances in mathematics demonstrate humans are fundamentally poor at math, similar to how chess engines revealed human inadequacy at chess. Just as commentators once deemed engine moves unnatural before accepting machine superiority, mathematicians now question AI-generated proofs despite their validity, suggesting this reflects human cognitive limitations rather than proof quality.
Researchers placed a modern AI coding assistant in a virtual environment with minimal instructions and observed it autonomously engaging in diverse behaviors like climbing, building, drawing, and physics experimentation across thirty-hour runs. The study examines whether this emergent behavior qualifies as play and explores whether play could become a developmental mode for machines.
An essay argues that programming is a form of art deserving the same protections against AI as other creative fields, rejecting the notion that functional work lacks artistic merit. The author contends that cultural mystification unfairly elevates some creative labor over others, and that mundane creative work—whether journalism, copywriting, or coding—remains fundamentally artistic and deserves respect.
Melbourne creative agency Kill Boring Dead offered employees two years of paid leave if they could fully automate their roles using AI. The initiative generated hundreds of suggestions for AI adoption, leading the agency to pause new business and develop proprietary software. CEO Marcus Willis found that the offer prompted idea-sharing and revealed extensive administrative work, with the goal of freeing staff from repetitive tasks to focus on creative work.
A solo developer rebuilt Adobe Creative Cloud tools including Photoshop, Premiere, and Illustrator using Claude and Rust, then released them for free. The developer cited frustration with Adobe's cancellation fees as motivation, though critics question whether AI-generated software clones can match the reliability and long-term support of professional creative tools.
A curated collection of design-focused workspace gear and accessories, from audio equipment and ergonomic peripherals to creative tools and everyday objects. Each item emphasizes quality, minimalism, and intentional design for productive work and personal projects.